A24’s movies are always intriguing, thrilling, and unique. They are the masterminds behind Moonlight, Midsommar, Lady Bird, Florida Project, and numerous other award winning films. I was thrilled to find out that they had come out with a movie in time for this project. Recently A24 has come out with a larger scale movie that I had seen commercials for called The Death of a Unicorn with Jenna Ortega and Paul Rudd but I had no idea that they had come out with another thriller from march this year.
The movie starts with a young couple eating at a restaurant. Ariel, is an aspiring writer who was well off as a child and continues to be well off as an adult. Her boyfriend says to her in his words, with no harm or disrespect he says that nobody cares about her opinion because it has no perspective. He says that opinions are valuable because of what a person has been through. She is considerably hurt by this but later that day she gets offered the opportunity of a lifetime. An undeniably iconic pop star who had mysteriously disappeared for twenty-seven years has surprised the world and his devoted fans with a new album. He has invited six people to view the album before it is released. Ariel and her boss happen to be two of the six. Everyone is appalled that she is picked, furthering the narrative that her boyfriend has put into our heads as well as her own. She arrives at the community that the popstar—Morretti has built over the last twenty seven years. There seems to be one giant structure where everyone lives, farms, and many courtyards. The entire settlement is enclosed by fenced and forty miles of desert. The trip to the settlement is quite eerie and when the guests arrive they are greeted by people only wearing jeans. It seems that everyone in the community wears jeans except Morretti the singer.
As the guests are staying at the settlement, most things seem normal but Ariel begins to notice things getting odder and odder. The turning point for her was that the other guests seem to be going missing. She begins to question her situation and brings it up to her peers. Unfortunately they say she is crazy and she decided to look for her phone. Upon their arrival they are stripped of all electronics. She dodges the countless guards and constant surveillance to find everyone’s phones. When she finds the phones the screens are painted so they are unusable. She then looks up to find numerous animals and creatures in jars. The camera pans to a body hidden under the table with no head which only the viewer sees. I think you get the idea before I spoil the entire movie for you.
This movie was the first movie of Mark Anthony Green. As A24 has made some iconic cult movies in the past, this one just doesn't stand up to them. Midsommar is an iconic movie and opus is mediocre at best. This is the first full length film for the director Mark Anthony Greene. Before beginning his filmmaking career, Mark was a writer for popular men’s magazine GQ. He began writing for GQ when he was just nineteen years old. Before releasing opus with a 2.2 million dollar budget he came out with a short film in 2017 called Trapeze, U.S.A. With a ten million dollar budget and only two million in revenue, what happened?
Watching the movie, I noticed there are a lot of ideas that are left untouched. For example there are voodoo dolls shown of all of the guests but they are never mentioned besides the original scene. There were a lot of concepts that needed to be expanded on. Another example is why do they have dead animals in jars and why does everybody have scars on their hands. Why is everybody required to wear jean everything? There was one scene where every single person in the cult had to take a bite of a roll. There was no clear explanation for that either.
Despite the questions unanswered there is a strong theme emphasizing fame and the celebrity community. There are comparisons between god, and “levelists” which seems like commentary on our current view of celebrities. It is easy to become obsessed with people we see online and create parasocial relationships with them. In this movie many people worship Moretti the popstar to the point where they are blindlessly following him into a cult where they kill people and wear jeans everyday. The target audience of this movie is regular people. It is meant to shine a light on the dangerous habits of the common person and their relationships with celebrities. Throughout the movie you see the fans not being able to function when Moretti is singing. If you look closely in their eyes there is actually a little sparkle in them. You can tell how devoted they are not only by the sparkle but by the antidotes given by the members of the cult.
Since I never saw anything about this movie that might have had a huge impact on why it was not super popular. There was not a lot of advertising and the budget wasn’t well spent. Watching this did not compel me to buy anything more of the director. I was not all that impressed. I think with more explanation of the thrilling topics the movie could have been more interesting. My sister walked in while I was watching this and she was appalled by the gore in the one scene that she walked in on. Other than that I don't know anyone who has ever mentioned this movie. Despite the notable director, It is so unpopular that it is even hard to find pictures and clips of the movie.
As I am searching online it seems that the professionals agree with me. There are too many points brought up and not explored for this move to efficiently convey the issues at hand. The movie earned a 41% on rotten tomatoes and a 5.7 out of ten on IMDb. The reviews are unfortunate but I do understand and agree. The first half of the movie is not even scary. Moving forward I am excited to see what this director puts out but for now he's gonna need a little more practice.
Sources
Green, Mark Anthony. “Opus.” IMDb, 14 Mar. 2025, www.imdb.com/title/tt29929565/. Accessed 24 May 2025.
All 120 A24 Movies Ranked. editorial.rottentomatoes.com/guide/all-a24-movies-ranked/.
Purcell, Sammie. “In Conversation with Mark Anthony Green: From GQ to “Opus.”” Rough Draft Atlanta, 14 Mar. 2025, roughdraftatlanta.com/2025/03/14/in-conversation-with-mark-anthony-green-from-gq-to-opus/. Accessed 24 May 2025.
“Opus (2025).” Rotten Tomatoes, 27 Jan. 2025, www.rottentomatoes.com/m/opus_2025#:~:text=%E2%80%9COpus%E2%80%9D%20says%20plenty%20but%20lacks,Content%20collapsed.&text=Green’s%20screenplay%20is%20too%20self,song%20too%20many%20times%20before.
“Opus.” IMDb, IMDb.com, 14 Mar. 2025, www.imdb.com/title/tt29929565/.